Wish I had said that

The curators for the Design Museum Holon in Israel have mounted a grand exhibition devoted to Craft called GATHERING - From Domestic Craft to Contemporary Process.

Listen to this:

"We are an unstitched society suffering from a lasting socio-economic crisis that has made us ferociously protective and egocentric. It is time for mending and gathering, thus restoring the fabric of society: picking up the pieces and bringing them together in a patchwork of possibilities; a quilt of substance, able to absorb shock and fear." - Lidewij Edelkoort
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If, in my efforts to create art, I can touch this nerve, this truth, I will have accomplished my goal.

Edelkoort explains the show’s context: “We are an unstitched society suffering from a lasting socio-economic crisis that has made us ferociously protective and egocentric. It is time for mending and gathering, thus restoring the fabric of society: picking up the pieces and bringing them together in a patchwork of possibilities; a quilt of substance, able to absorb shock and fear.

More Information:

http://artdaily.com/news/71480/Design-Museum-Holon-opens-new-exhibition--Gathering--From-Domestic-Craft-to-Contemporary-Process--#.U9kYh6i7nIq[/url]

fun with triangles

Half-square triangles have an infinite variety of ways to be put together. These color study units I have been working on give me a way to release some creative problem-solving time. Here are some of the ways they can work.

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half-square triangle diagramsI think I will do something like this:

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roughed-in composition for color study quiltI like how the white breaks up the geometry, forcing the viewer to complete the pattern in their imagination. I think I might add a wide white border too.

Planning the threads

One of the most challenging parts of free motion quilting is to figure out how and where you will stitch. I use a simple technique that helps me visualize different patterns before I commit to them with thread and sore shoulders.

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Using a piece of acetate to experiment with line

Using a large piece of acetate and a dry erase marker I sketch my ideas onto the acetate directly over the quilt. If I don't like the first pattern I can simply wipe it dry and start again. The lines are fairly thick because I have yet to find a dry erase marker with a fine point (note to Sharpie...please develop this for me). Drawing the lines gives my hands and brain a trial run for the real deal.

Once I have decided what I want to do I mark a boundary for the pattern on the quilt with a chalk marker. My favorite of these is the one pictured here, it has a roller at the tip that makes a thin dotted line with chalk. You can get white, blue, yellow and pink chalk. I tend to stay with the white stuff. I'll often hang the acetate near my machine so that I can see it while stitching. I'll do this stitching in the morning when I am fresher.

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Outer boundary of stitch pattern marked with chalkOnce I am done with the stitching I am sometimes left with loose ends that need to be buried. I do this after dinner in front of the TV, tweezer and easy-threading needle in hand. This pic shows a different area of the piece where I decided to stop the background pattern where the black circles define a thought bubble.

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Loose threads will need to by buried in the quilt sandwich later