Alegre

I spent a week at the Alegre Retreat teaching a very talented bunch of stitchers this month. And, what a place! The Gateway Canyons resort is nestled into deep canyons in Colorado near the Utah border. Watching sunrises and sunsets was like witnessing a movie as the sun crawled up and down the canyon walls. I woke to the moon setting one morning, it sank below the rock wall as if hiding itself. I felt like I was part of a postcard.

This is the way I walked to the classroom each morning. Each day was different. Gateway Canyons, Colorado

We had a light snow one day. Frosting on the cake.

We stitched for 5 days. And, after a little hesitation the artists went full steam ahead. Sixteen fearless stitchers. Here are some of the results. I can’t wait to see what they create with these new ideas.

Teaching brings me great pleasure. I love it when a student expresses excitement about a new technique. I love it when they make it their own. I love to be with people who have the same passion as mine. Traveling fills my mind with new inspirations, new vistas, new ideas.

And, now, I will settle down to stitch some of what I felt and saw, and smelled, and touched and tasted.

A residency at the Virginia Center for Creative Arts

Let me tell you about a great experience. I was invited to the Virginia Center for Creative Arts in Amherst, Virginia for a 3-week residency. It turned my head around.

Here is a sampling of the things I saw and did.

The Campus

The Studio

New friends

My work

There was drama

That’s a ten bladed chain saw hanging from a helicopter that the railroad used to trim trees on their tracks. It traveled up and down those utility wires and the train tracks for two days. You could see those blades spinning. It sounded and looked apocalyptic.

The result

Surrounded by serious artists of all stripes I could not help but work all day and into the nights. The focus on serious pursuit of the work makes all the difference. We all toiled, we all celebrated each other, we all felt sheltered and honored. Did I mention three meals a day? I recommend this. Find a space that allows complete focus. Find other serious artists with whom to share the experience. Work hard and enjoy the privilege.

New beginnings, a refreshed spirit.

Returning from a long journey

Right before leaving for this five week journey I was invited to the Visions Art Museum for a solo show. Here I am talking to my audience.

I’ve unpacked, sorted through the gifts we purchased, did the laundry, read the mail, paid the bills, and reopened the studio. After five weeks and over 3,000 miles across six states, home looks foreign.

I taught an amazing class at Arrowmont with five of the most talented experimenters in the Midsouth. Then my husband and I traveled through Tennessee, North and South Carolina, Massachusetts and Maine on two lane highways and in the air. We visited six art museums, several arboretums, an aquarium and three magnificent beaches. We ate seafood.

I keep looking for ways to avoid the studio so I made yogurt, started a slow cooker meal, washed the dishes, made granola and sat stunned in front of the morning news.

I am not myself.

I am not even close to reprocessing what I saw—the colors, the art, the textures, the sounds, the details, the grandeur, the squalor, the light, the dark, the uncanny.

How can I possibly organize my thoughts when I have witnessed so much great beauty, sad destruction and limitless water and sky?

Here’s a sampling of what we saw. A glorious fall. The sound of wind and surf.

I'm a little worried

Being away from the studio can disrupt the momentum I have in my work. Having just returned from teaching in San Diego and about to leave again for the East Coast, its hard to think about big projects. So I have been doing little things in preparation of the upcoming trip—experimenting with texture, stitching a series of mandala shaped studies (see my previous post here), organizing paperwork, scheduling next year and doing some research. It all feels very minimal.

These lovely bubbles animated the coast while I was in San Diego.

These lovely bubbles animated the coast while I was in San Diego.

I’ll be driving around the Eastern seaboard in the next 5 weeks. Breathing in sea air and exploring new spaces. I get to teach again in the mountains of Tennessee for a week. That always brings inspiration and ideas. I have decided to bring a sketchbook this time. I don’t normally work in a sketchbook. I have several laying around with the first few pages filled and then nothing. Maybe I can build that practice during this trip.

I’m still a little worried. Breaking momentum tends to loosen the strings of ideas. I flounder, get inpatient and ping pong around the studio. I like being isolated in my studio for hours. And, I like traveling too. Both contribute to my stream of consciousness. Both bring insight and energy to my work.

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I think worry is a baseline in my personality. High expectations, subliminal doubt and a sense that I can’t control everything contribute to it. I’m saying it out loud here so that I don’t dwell too much on it during my absence from the studio. Maybe that will work.


Click on the book cover for a link to Alibris booksellers.

Click on the book cover for a link to Alibris booksellers.

Thank you to all of you who have purchased my book. I’ve had so many people comment that they have enjoyed reading it. It’s a real boost to me to think that I can inspire people to try new ways to stitch. I love teaching these techniques. If you are interested in checking it out you can purchase it online or order it from your local independent bookstore. At Play in the Garden of Stitch provides new ways to think about using stitch in artwork and includes exercises, sewing tips and quilt stories.

October is a busy month

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October is one of my favorite months. And this one is no exception. I can open my studio windows to get an occasional breeze. The gingko trees are about to turn into yellow clouds. And the studio is awash in preparations. It’s a month of anticipation and excitement.

I’m preparing class materials for two workshops at Arrowmont this month. A powerpoint show, class notes, exercise materials and a few surprises. First I’ll be attending a workshop by Beatrice Coron on MASKING AND REVEALING: THE WILD SIDE OF PAPER CUTTING for a week and then I teach my FOLLOW THE THREAD workshop the week after that. Two full weeks in the mountains playing at art. What could be better than that?

The workshops at Arrowmont allow for everyone to spread out and stretch their creative minds.

The workshops at Arrowmont allow for everyone to spread out and stretch their creative minds.

While I am at Arrowmont The World of Threads Festival, a contemporary fibre and textile art exhibit opens in Canada. It features 303 artworks by 65 artists from Canada, Denmark, England, Hungary, Netherlands, Northern Ireland, Norway, Russia and the USA. I was chosen as one of the artists with a solo show in the corridor galleries. I won’t be able to attend the opening but I will see the show in November.

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Everything I know about this show makes it a must see event. If you are anywhere near Oakville (a short drive from Toronto) please plan on attending. Click here to learn more about it.

Or choose this link to download a complete brochure.

Opening day: Sat. Oct. 20, 2018 1:00 – 3:30 pm.

World of Threads Festival

Queen Elizabeth Park Community & Cultural Centre
2302 Bridge Road Oakville, Ontario, Canada.  

Dates: Sat. Oct. 13 - Sun. Nov. 25, 2018
Hours: Mon. – Sat. 10:00 am – 6:00 pm.  Sun. 12:00 – 5:00 pm
Admission: FREE